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Popol Vuh - Kailash: Pilgrimage To The Throne of God (2015) New Age, Piano, Electronic MP3 CBR 320 kbps 01:31:54 211 MB Label: Soul Jazz Records Release Year: 2015 ‘Kailash’ is a new collection of work from Florian Fricke, leader of Popol Vuh, seminal group in the German rock scene of the 1970s (Can, Faust, Amon Duul, Ash Ra Tempel, Tangerine Dream) and creators of classic soundtracks to the films of Werner Herzog (‘Aguirre The Wrath Of God’, ‘Nosferatu’ and ‘Fitzcaraldo’, among others). ‘Kailash’ brings together essential and unreleased piano recordings, together with Fricke’s travelogue film ‘Kailash’, about his spiritual voyage to Tibet’s 22,000 foot Kailash mountain, ‘Throne Of The Gods’ and the accompanying soundtrack album to this film. ‘Essential Piano Recordings’: For the first time, this compilation on Soul Jazz Records unites a careful selection of Florian Fricke’s most favourite piano tracks and compositions, both released and previously unreleased. Aside from his groundbreaking work with Popol Vuh, Fricke’s background is that of a classical composer and it was one of his late wishes to release ‘piano only’ recordings. These essential piano recordings by Florian Fricke should be considered as something like the core or the heart of many Popol Vuh compositions.
They contain tracks from 1972-1989 that Florian Fricke would have liked on a piano only album, enriched with further song improvisations that have been found posthumously, after he passed away in 2001. Some of these are studies for key tracks of Popol Vuh (for example 1972’s ‘Hosianna Mantra’). The Big Bang Theory Torrent Vostfr Saison 1. Others are reoccurring patterns and sequences, with Florian often working with recurring motives frequently further developed with the group.
Mantra of the Touching of the Heart 03. Angel of the Air, Part One. PopolVuhF.softarchive.net.part5.rar Download. Free Full Download Popol Vuh.
TRACKLIST 01. Spirit of Peace 1 02. Spirit of Peace 2 03.
Spirit of Peace 3 04. Mahayana (Karuna) 05. The Heart 06. Strength Development Inventory Form Download. Earth View 07. Garden of Pythagoras 09. West Tibet - Land of the Nomads 10. The Garden Morya 11.
Manasarowar - The Turquoise Lake 12. Nomads Move 13. Last Village 14.
West Face - Place of Death 15. The Kora - Ritual Circuit of the Sacred Mountain 16. Valley of the Gods 17. Buddah’s Footprint 18.
This POPOL VUH album is part of the soundtrack to Werner Herzog's 'Nosferatu' movie. Funny but some of these songs don't sound like they would belong in a vampire movie. Lots of Eastern and Indian passages and some uplifting songs as well. There are six out of these ten tracks that are dark and spacey and give an eerie and haunting mood. No drums on this one as Daniel is confined to acoustic and electric guitars only.
'Mantra 1' is an Indian flavoured tune that opens with sitar that comes and goes while another ethnic instrument is played in the background. These are repeated over and over. 'Morning Sun' is a Fichelscher composition and the only song that Florian didn't help create. An acoustic guitar melody is played over and over throughout.
A joyful and uplifting song. 'Venus Principle' is another Indian styled song with sitar and percussion early. Guitar comes and goes briefly each time. 'Mantra 2' is rather melancholic and dark, quite haunting. 'On The Way' really sounds like mellotron choirs but is apparently really a male choir.
Very haunting and dark indeed. 'Through Pain To Heaven II' opens with a humming sound that builds quickly. Guitar comes in around a minute and comes and goes throughout. I really like the guitar here as it gives us a brighter, uptempo sound compared to that dark humming that continues throughout. 'To A Little Way' features Florian on these lonely sounding synths throughout.
'Zwiesprache Der Rohflote Mit Der Sangerin' opens with sitar before a melody comes in before a minute. The electric guitar is fantastic! 'Die Nacht Himmel' is very spacey and dark with synths reminding me of 'Zeit' by TANGERINE DREAM.
'Der Ruf Der Rehrflote' continues the same mood from the previous song only it's not as loud. Very dark and lonely though. I like this one a lot.
I like the variety and the contrasts of good and evil, dark and light. I don't know if Florian could make this all dark and eerie even if he was asked to.
It's not what was in his heart and soul. Thanks for the light Florian. Popol Vuh 1983 Agape-Agape Love-Love 1. Hand in hand (3:00) 2. They danced, they laughed, as of old (4:53) 3. Love, life, death (1:27) 4. The Christ is near (3:50) 5.
Love-Love (5:24) 6. Behold, the drover summonds (5:55) 7. Agape-Agape (4:56) 8. Why do I still sleep (8:00) - Florian Fricke / piano, vocal, percussion - Daniel Fichelscher / guitars, vocal, percussion - Conny Veit / guitar - Renate Knaup / vocal This album was released in 1984, in fact all my other POPOL VUH records came out before this one.
Good to see Conny Veit here on guitar as well as Renate Knaup on vocals. Another good recording from Florian although I did find this one less inspiring than most of his others that I own. Not a lot of variation in sound here.
'Hand In Hand' opens with chanting only,no instruments until the percussion arrives before 2 minutes. 'They Danced, They Laughed, As Of Old' is a Daniel Fichelscher composition, in fact the only song on here that Florian didn't create.This one's a top three for me. It sounds so good with the electric guitar playing over top. 'Love, Life, Death' features percussion throughout.
'The Christ Is Near' opens with Renate and percussion.The sound gets fuller before settling 2 minutes in with acoustic guitar; electric guitar then joins in. 'Love-Love' is a top three with the guitars and percussion all sounding great. 'Behold, The Drover Summonds' features Renate's high pitched vocal melodies as the music follows and builds. Piano and loud percussion are up next as Renate continues. 'Agape-Agape' is the other top three tune.
This sounds amazing as Renate sings with the guitars, piano and percussion filling out the sound. 'Why Do I Still Sleep' is the final and longest song at 8 minutes. Guitar and piano are played tastefully throughout. Popol Vuh 1985 Spirit of Peace 1. We know about the need (4:20) 2. Spirit of peace (7:00) 3. Song of Earth (8:07) 4.
Take the tention high (17:27) - Florian Fricke / piano, vocal - Renate Aschauer-Knaup / vocal - Daniel Fichelscher / acoustic guitars Guests: - Conny Veit / electric guitar - Bernd Wippich / electric guitar It was originally released in 1985 on Cicada. The first track was used by Werner Herzog as original motion picture soundtrack for his documentary The Dark Glow of the Mountains (original title 'Gasherbrum - Der leuchtende Berg') about Reinhold Messner. I think this album is being criminally underrated. Perhaps people are unfairly comparing this to the outstanding seminal Popol Vuh albums of the 70's. Admittedly, their sound had changed DRAMATICALLY by the time of Spirit of Peace. This album is truly what the title suggests; one of the more peaceful albums ever made, and also one of the most beautiful. Definitely way more mellow than their early to mid-70's material, but a truly stunning album that's among the best I've ever heard in the realm of ambient/new age/atmospheric/scared musics.
I own every Popol Vuh album, and this one is at the top of the heap http://filefactory.com/file/77foc6gghrf9/450.rar. Popol Vuh 1995 City Raga 1. Wanted Maya (7:00) 2. Tears of Concrete (5:30) 3. Last Village (7:10) 4. City Raga (8:10) 5. Morning Raga (5:40) 6.
Running Deep (6:00) 7. City Raga [Mystic House Mix] (6:41) - Florian Fricke / piano - Guido Hieronymus / keyboards & engineering, electric guitar - Maya Rose (Yukatan) / vocals - Daniel Fichelscher / acoustic guitar + Children Choir from Kathmandu The coolest thing about this record is the backstory. Maya Rose isn't a Popol Vuh singer in the vein of Djong Yun; she was an old friend of Florian Fricke. She lived (and may still live) in the Yucatan; unable to locate her after some correspondence, Fricke extracted her vocals from an old cassette she'd mailed and built much of City Raga around it. Without the liners from Fricke's daughter Anne explaining this, I wouldn't have known. The integration of ambient house and Rose's vocals is seamless, albeit sort of bland.
Electronic music, as predicted by Popol Vuh, was in its ascension, and the godfathers can't add much to the conversation. The most immediately pleasing track is 'Morning Raga', which benefits from an acoustic cameo from Daniel Fichelscher. Professionally pleasing and intensely plastic. Plastic shock infects the best ideas on this album.
'Running Deep' feints toward a dark wave of sound (complete with a submerged Nepalese children's choir), but chilly New Age crops up from time to time to scuttle the thing. The same thing happens to 'Wanted Maya' - the PBS-style library music is actually a plus, but Rose's vocals seem more suited for trance, and Fricke's pitch-tweaking comes across as half-assed. Still, I can't fault him for stretching out and embracing the present, but things were just out of his grasp.
2019-05-20 16:20Bekijk het bord Films van Nienke op Pinterest. Popol Vuh - Nosferatu:The Vampyre (extract) (Herz aus glas, 1976) de Werner Herzog.
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Heart of Glass More at IMDbPro » Herz aus Glas (original title) ([email protected]) from Dallastown by regular Herzog collaborator Popol Vuh,
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